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:: The Water Magician/ 02.06.2016 ::

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MessagePosté le: Jeu 2 Juin - 03:06 (2016)    Sujet du message: The Water Magician/ 02.06.2016 Répondre en citant

The Water Magician > urlin.us/2jeom

The Water Magician

The second thing was mentioned earlier, that many films of that period were lost forever, but this one survives. —— Release Date: Jan 1, 1933 Wide AUDIENCE SCORE 78% liked it Average Rating: 3.8/5 User Ratings: 81 Critic Consensus: No consensus yet. It is a Mizoguchi film, so you know there is going to be some kind of tragedy in this tale. The bruised and beaten state of the films source print perfectly compliments its unorthodox sensibility. You must be a registered user to use the IMDb rating plugin. The quality of this film is, at best, decent, but it doesn't matter. This film survives, and it is phenomenal.

Shinz Kumeko Urabe . Essentially the template for later Mizoguchi films, though the craft seems less reserved and more classical than what would define the director's craft by 1936. For many cinephiles in the West, Mizoguchi Kenji remains best known for his bleak yet serene late period films, Ugetsu Monogatari (1953) and Sansho Dayu (1954). Sign up with Facebook or sign up with email Already have an account? Log in here . Please reload or try later. Indeed, one of Mizoguchis silent films, Passion of a Woman Teacher (1926), was actually screened in Europe shortly after its original release a rare example of a Japanese film that reached the West before the postwar breakthrough of Rashomon (1950). The nostalgic scenes of 1920s Tokyo provides a valuable visual. What separates this from Mizoguchis later tragedies, like Chikamatsu Monogatari, is how quickly so much time is covered. The benshi would supply the voices of the characters, describe the events and settings, and underline the moral and emotional content of the film. ADD YOUR RATING Edit Share on Facebook Movie Info Early Japanese filmmaker Kenji Mizoguchi directs the black-and-white silent drama Taki No shiraito, based on the tragic novel written by Kyoka Izumi during the 19th century.

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